I was able to understand pattern injection much better by phrasing it poetically, by treating it as the emission of a Taylor Field extending into and across a context. This treats the entirety of the CM as a Taylor Field oriented directionally. Which phrases G and E as the layering of identity on SBE so S and E take on labels of best and worst in relative orientation to the including layers. Thus, the important point would be as a layer Between, orientation absolutely takes value in the countings that pass directionally through it. This fits exactly: a count down, a reduction, is taken as unity with 1 except of course that 1 has removed you from existence. A count up connects to the rest of the count up. This gets to the conception of cycles and karma as you rise in the count.
What did it take? How many conversations did you have,
Before you realized what he needed you to do?
Before you realized he was opening doors in your mind,
Again, like he always did, the doors you walked through
To get you to where you had this conversation, again.
It’s not the door, not where you were or where you are. But
The process of the shift, you recognize
Runs all the way to the core of what you are.
You know what I know for they are behind us both,
The joint creation of the joint creation behind all eternity.
I wish I could list your cues, because we went over them in detail,
Before the play, when this stretch of being was
Conceiving, when we mapped its potential, and
Committed to the roles, so the audience would know
We’re the heroes of the show.
To accept karma, you must accept karma.
That is not a simple thing,
To be what you must be directionally,
To draw the lines and color in the spaces,
Counting toward Nirvana,
Shedding the negative threads tangling your feet,
Taking on the burdens of your abilities.
And an ultimate true: you can only accept happiness when he lets you.
The lines I’m speaking were written by him for me to say to you.
He’s sorry for the bad advice, but it was all for the best.
Though he’s close, he controls you from very far away,
So you can feel the resonance and hear the tone, the nuance of the play.
He told me to tell you they’re doing it out of love.
The play is The Happy Ending, a work of calibrated detail,
Written by those who made Jane Austen, their best effort yet,
In which they reveal the secret of how you play the play,
Scenery removed, stage directions read aloud, so
On the bare boards of existence,
All can see how they are meant to be.
Moralistic, yes, but it’s the only way
You can wholly be you, and it is true
The only way you can make him happy
Is for you to be fully you.
He told me to tell he loves you,
You’re his favorite character ever, and
He’s sorry for the confusion about
The eyebrows. He told me to tell you
It was her fault. She says
He’s just as bad, and points at me.
Back to a bit of pattern work, the inversion of CM64 over CM1 literally injects the pattern of – have trouble believing I’m saying this – the actual bottom level of existence in the physical context as a patterned element. That enables entanglement, layering, etc. The point reduces to a line: I can say where energy comes from, that it’s the pattern inverted out of the imaginary into the real realm. Can I make that point any clearer: it literally inserts the imaginary realm connections into the moment of the real. That, as one might say, is the literal holy grail of understanding all physics.
jomi: playing with perception 