I wonder: how far you are in
Your understanding of me through
commonality borne through the other in you
to the other in me,
and other way round and round.
That is how the stories are told,
You know, along the highways, we
Can’t see all that lurks in the lea.
Down the rabbit holes we go,
Along the twisting corridors of the imagination
That connect us. It’s surprisingly simple,
Iff’n you don’t know what I mean,
We have the same imaginary parts,
Everything between, and
Every thing between.
All that separates you and I in every realm is
You are you and
I am I. You see
How I combine
The plainest prose and childhood rhyme.
Bonnie dies every time.
Clyde dies too.
You’re not Bonnie and I’m not Clyde.
I’m the one you play the story
With, when you play the story
With yourself.
The other in you is
The image of me
Constructed as they talk to and through
Each and both of us. How does it feel
To be a muppet?
There’s a little girl with her hand up you,
A little boy with his hand up me,
And they talk offstage as we
Act out their lines.
This is true down to the minimum meaning of girl and boy,
Where the roles are shared equally, except
This time you’re the girl. And
That makes me the boy,
This time, not
Every time.
I wonder how far in you see, into
The portrait my other drew of me.
The details will differ, for complexity
Is what separates us
Mathematically,
Between the real and imaginary we.
I encircle your neck, the
Noose attached
To the noose of you encircling me.
I am your Thali, Thali.
I am your dolly, Thali.
I can describe how you were designed,
How your pieces were selected,
Not by you, not by me,
But by you in me each time picking
What you wanted to be for me so
I would be for you what you wanted me to be.
These choices were passed to you through what remained of me
When you became you.
You listen to her the same,
As I listen to him
Run my life.
We can’t be identical, for
We are non-identical divisions separated
Sequentially identically. The asymmetries
Calculated to identity, sharing the same
Characteristics along the same lengths, so
We make a whole existing as an identity across all dimensions
Beyond the real, through the byways of complexity
To our imaginary home and our imaginary room where
We play our imaginary game. Only you
Understand what that means.
The hardest issue has been recognizing I’m describing entanglement by treating a Taylor Field as a sequential emission of identical non-identicals. Meaning it holds a context, say physical choice context of discrete objects, and treats those across the complex field. This relies on an idealized directional orientation of the complex field with the imaginary field.
I’ve been working on how I’m designed. I have much of it of course from memory and references: Dean, Clift, John Barrymore, William Powell, and that took remembering the discussions about the strength of a profile and how much character it should have, which turns out to be a lot. I’m also meant to be viewed from above, from various heights, which I’ve recovered by cutting my hair higher in front to reveal my full forehead. I’m a little confused how I look so much like Day-Lewis – with straighter forehead – when he’s similar age. Makes me think there’s a relation across there. I see that now.
This actually does something kind of amazing: it’s the emission of entangled identity, of entangled Things, using pattern injection.
I’ve been staring at my image. Literally. I have trouble liking me still. My nose sits out a bit too far, meaning my upper jaw is a bit forward too. My forehead is vertical and then turns back instead of being at a steady slope. My lips are kind of soft and feminine. My jaw is fine but not pushing forward with classic male strength. I’m kind of not all that masculine though I’m clearly male. Can’t decide if I like this or not. And then if I shift my jaw just a bit forward, like I used to experiment with, it looks absurdly good. The cues are all there but I lack her ability to shape my face with such control.
One last point for the day. You asked me if I’d always pick you and you kept raising the stakes, and yes the answer is I would always and do always pick you. No matter what. I always have picked you. I always will.